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MetaSound Patch
WaveTable Bank
Mono Wave Table Synth Preset Bank
Modular Synth Preset Bank
Source Bus
Resonance Audio Spatialization Settings
Resonance Audio Reverb Settings
Parameter Patch
Modulation Parameter
Modulation Generator
Control Bus Mix
Control Bus
Submix Effect Preset
Source Effect Preset Chain
Source Effect Preset
Reverb Effect - Reverb
Synesthesia Settings
Synesthesia NRT Settings
Synesthesia NRT
Dialogue Wave - DW
Dialogue Voice - DV
Sound Wave - S
Sound Cue - SC
MetaSound Source - MSS
Soundfield Submix
Soundfield Endpoint Submix
Sound Submix
Endpoint Submix
Audio Bus
Sound Concurrency - CON
Sound Attenuation - ATT
Sound Class Mix
Sound Class
Animation Modifier - AN
Blueprint - BP
Physical Material - PM
Blueprint Interface - BPI
Data Table - DT
Structure - ST
Room Tone
Non-diegetic
Diegetic
Ambience
Foley
Pure Tone
Subtractive Synthesis
Low Frequency Oscillator - LFO
Digital Audio Interface
Chiptune
Additive Synthesis
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DEVLOG
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SOUND DESIGN
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KNOWLEDGES
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MetaSound Patch
WaveTable Bank
Mono Wave Table Synth Preset Bank
Modular Synth Preset Bank
Source Bus
Resonance Audio Spatialization Settings
Resonance Audio Reverb Settings
Parameter Patch
Modulation Parameter
Modulation Generator
Control Bus Mix
Control Bus
Submix Effect Preset
Source Effect Preset Chain
Source Effect Preset
Reverb Effect - Reverb
Synesthesia Settings
Synesthesia NRT Settings
Synesthesia NRT
Dialogue Wave - DW
Dialogue Voice - DV
Sound Wave - S
Sound Cue - SC
MetaSound Source - MSS
Soundfield Submix
Soundfield Endpoint Submix
Sound Submix
Endpoint Submix
Audio Bus
Sound Concurrency - CON
Sound Attenuation - ATT
Sound Class Mix
Sound Class
Animation Modifier - AN
Blueprint - BP
Physical Material - PM
Blueprint Interface - BPI
Data Table - DT
Structure - ST
Room Tone
Non-diegetic
Diegetic
Ambience
Foley
Pure Tone
Subtractive Synthesis
Low Frequency Oscillator - LFO
Digital Audio Interface
Chiptune
Additive Synthesis
Digital Audio Workstation - DAW
Wave (νλ)
Transmission Medium (맀μ§)
Gain Reduction Meter - GR
2-way Speaker
M/S Mid Side Technique
X/Y Coincident Pair
A/B Spaced Pair
Comb Filtering
Polar Pattern (μ§ν₯μ± ν¨ν΄)
Inverse-square Law (μμ κ³± λ²μΉ)
Diaphragm (μ§λν)
Binaural Hearing (μμ΄ μ²μ·¨)
Auditory Illusion (μ²κ° μ°©μ)
Cocktail Party Effect (μΉ΅ν
μΌ νν° ν¨κ³Ό)
Measurement Microphone
Parabolic Microphone
Omni-Directional (무μ§ν₯μ±)
Dynamic Microphone
Sample Rate
Cent
Octave
Brown Noise
Pink Noise
White Noise (λ°±μ μ‘μ)
Pulse Wave
Triangle Wave (μΌκ°ν)
Saw Wave (ν±λν)
Square Wave (μ¬κ°ν)
Clock
Convolution
ISO 226
Jitter
Sample Peak
Downsampling
Anti-Aliasing
ATSC A/85
EBU R128
Oversampling
Clipping
Crest Factor
Dithering
Aliasing
Fundamental RMS
Hi-Fi
Speaker
Amplifier (μ¦νκΈ°)
Unit
Parameter (Parameter)
Bit
Quantization (μμν)
Sampling
Effective Number of Bits - ENOB
Nyquist Theorem (λμ΄ν΄μ€νΈ μ΄λ‘ )
Distortion (μ곑)
Bit Depth
Digital-to-Analog Converter - DAC
Analog-to-Digital Converter - ADC
Noise (μ‘μ)
Noise Floor
Headroom
Bit Error Rate - BER
Equal Loudness Contour (λ±μ²κ°κ³‘μ )
ITU-R BS.1770
Fletcher-Munson Curve
Mode of Vibration (λΉμ‘°ν λͺ¨λ)
Damping (κ°μ )
Sine Wave (μ νν)
Resistance - R (μ ν)
phon
Formant
Linear (μ ν)
Ampere - A (μ λ₯)
Impedance - Ξ©
Voltage - V (μ μ)
Speech Interference Level - SIL
Peak Programme Meter - dBPPM
Root Mean Square - RMS
Dynamic Range - DR
Total Harmonic Distortion - THD
Signal-to-Noise Ratio - SNR (μ νΈ λ μ‘μλΉ)
Sound Power, Acustic Power (μν₯ νμ)
Dipole Gain - dBd
Isotropic Gain - dBi
dBW
dBm
Loudness Range - LRA
Loudness K-weighted relative to Full Scale - LKFS
Loudness Units relative to Full Scale - LUFS
Weighting Filters - A / B / C Weighting
Hearing Level - dB HL
True Peak - dBTP
dBV
dBu
Full Scale - dBFS
Sound Pressure Level - dB SPL
Gain
Unity Gain
Power - W (μ λ ₯)
Decibel - dB
Transient - TR
Envelope - ENV
Wavelength - Ξ» (νμ₯)
Polarity (κ·Ήμ±)
Out-of-Phase (μμ)
In-Phase (λμ)
Phase - Ο (μμ)
Period - T (μ£ΌκΈ°)
Fourier Transform (νΈλ¦¬μ λ³ν)
Overtone (μμ)
Inharmonics (λΉλ°°μ)
Harmonics (λ°°μ)
Fundamental Frequency - F0 (κΈ°λ³Έ μ£Όνμ)
Pitch
Frequency - Hz (μ£Όνμ)
Loudness - LU
Amplitude (μ§ν)
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INTRODUCITON
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