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Full Scale - dBFS

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dBu
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EBU R128
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Overtone (μƒμŒ)
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Fourier Transform (푸리에 λ³€ν™˜)
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Period - T (μ£ΌκΈ°)
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Phase - Ο† (μœ„μƒ)
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In-Phase (동상)
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Power - W (μ „λ ₯)
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Unity Gain
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Relative Average Loudness - RAL
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Gain
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Sound Pressure Level - dB SPL
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Full Scale - dBFS
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True Peak - dBTP
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Hearing Level - dB HL
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Weighting Filters - A / B / C Weighting
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Loudness Units relative to Full Scale - LUFS
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Loudness K-weighted relative to Full Scale - LKFS
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Loudness Range - LRA
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Isotropic Gain - dBi
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Sound Power, Acustic Power (음ν–₯ νŒŒμ›Œ)
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Signal-to-Noise Ratio - SNR (μ‹ ν˜Έ λŒ€ μž‘μŒλΉ„)
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Total Harmonic Distortion - THD
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Sine Wave (μ •ν˜„νŒŒ)
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Mode of Vibration (λΉ„μ‘°ν™” λͺ¨λ“œ)
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Fletcher-Munson Curve
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ITU-R BS.1770
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Equal Loudness Contour (등청감곑선)
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Headroom
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Noise Floor
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Noise (작음)
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Nyquist Theorem (λ‚˜μ΄ν€΄μŠ€νŠΈ 이둠)
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Effective Number of Bits - ENOB
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Sampling
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Temporal Integration (μ‹œκ°„μ  적뢄)
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Missing Fundamental (결손 기본주파수)
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SoundField
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phon
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ISO 226
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Saw Wave (ν†±λ‹ˆνŒŒ)
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Triangle Wave (μ‚Όκ°νŒŒ)
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Pulse Wave
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White Noise (백색 작음)
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Pink Noise
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Frequency Response
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Brownian Motion (브라운 μš΄λ™)
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Octave
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Cent
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Proximity Effect (κ·Όμ ‘ 효과)
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Off-axis Coloration (μ˜€ν”„μΆ• 착색)
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Inverse-square Law (μ—­μ œκ³± 법칙)
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Polar Pattern (μ§€ν–₯μ„± νŒ¨ν„΄)
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Head-related Transfer Function
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Electret Condenser Microphone
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Dummy Head
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Stereo Microphone
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3:1 Microphone Rule
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Electrodynamic Speaker Drive
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VCA Compressor
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FET Compressor
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Optical Compressor
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Digital Compressor
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Hold (Parameter)
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Gain Reduction Meter - GR
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Make-up Gain (Parameter)
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Stereo Compressor
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Multiband Compressor
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Sidechain
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De-noiser
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Hall (Parameter)
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Plate (Parameter)
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Room (Parameter)
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Ambience (Parameter)
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Chamber (Parameter)
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Spring (Parameter)
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Gate (Parameter)
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Size (Parameter)
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Pre-Delay (Parameter)
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Early Reflection (Parameter)
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Diffusion (Parameter)
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Wet/Dry (Parameter)
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Doubling
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Echo
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Introduction
Β 

μ •μ˜

λ””μ§€ν„Έ μ˜€λ””μ˜€ μ‹œμŠ€ν…œμ—μ„œ ν‘œν˜„ν•  수 μžˆλŠ” μ΅œλŒ€ μ‹ ν˜Έ(Full Scale)λ₯Ό κΈ°μ€€μœΌλ‘œ μ‹ ν˜Έ λ ˆλ²¨μ„ ν‘œν˜„ν•˜λŠ” λ‹¨μœ„μ΄λ‹€.

μ„€λͺ…

dBFSλŠ” λ””μ§€ν„Έ μ˜€λ””μ˜€κ°€ λ°œμ „ν•˜λ©΄μ„œ μƒμ„±λœ κ°œλ…μœΌλ‘œ, 초기 DAT, CD, ADC/DAC μ„€κ³„μ—μ„œ λ””μ§€ν„Έ μ‹ ν˜Έμ˜ μƒν•œμ„ λͺ…ν™•νžˆ ν‘œν˜„ν•˜κΈ° μœ„ν•΄ λ„μž…λ˜μ—ˆλ‹€.
μ•„λ‚ λ‘œκ·Έ 레벨(
πŸ“„
dBu
,
πŸ“„
dBV
)이 κΈ°μ€€ 전압을 κ°–λŠ” 것과 달리, dBFSλŠ” λ””μ§€ν„Έ μ‹œμŠ€ν…œ λ‚΄λΆ€μ˜ μ •κ·œν™” κΈ°μ€€κ°’(Full Scale)을 κΈ°μ€€μœΌλ‘œ μ‚Όκ³ , 항상 0 dBFSκ°€ μ΅œμƒμœ„μ΄λ‹€.
λ”°λΌμ„œ dBFSλŠ” λ””μ§€ν„Έ μ‹ ν˜Έμ˜ Headroom, Clipping, Gain Staging λ“±μ—μ„œ ν•„μˆ˜μ μΈ μ ˆλŒ€ κΈ°μ€€ λ‹¨μœ„λ‹€.

원리

dBFSλŠ” λ””μ§€ν„Έ μ‹œμŠ€ν…œμ˜ μ΅œλŒ€ ν‘œν˜„ κ°€λŠ₯κ°’(Full Scale)κ³Ό ν˜„μž¬ μ‹ ν˜Έμ˜ λΉ„μœ¨μ„ 둜그둜 λ³€ν™˜ν•˜λŠ”λ° μžˆλ‹€.
  • Full Scale(FS)λŠ” μ‹œμŠ€ν…œμ΄ ν‘œν˜„ κ°€λŠ₯ν•œ μ΅œλŒ€ 진폭이닀.
    • PCMμ—μ„œλŠ” μ •κ·œν™”λœ Β±1 λ˜λŠ” Β±32767 같은 μ΅œλŒ“κ°’μ΄κ³ , 이λ₯Ό κΈ°μ€€μœΌλ‘œ 0 dBFSκ°€ μ •μ˜λœλ‹€.
  • μ‹ ν˜Έμ˜ 크기(A)λ₯Ό FS와 비ꡐ해 λΉ„μœ¨λ‘œ λ‚˜νƒ€λ‚΄κ³ , 이 λΉ„μœ¨μ„ λ°μ‹œλ²¨μ˜ κΈ°λ³Έ ꡬ쑰에 따라 둜그 λ³€ν™˜ν•œλ‹€.
    • μ΄λ•Œ μ „λ ₯ 기반이 μ•„λ‹ˆλΌ 진폭 κΈ°λ°˜μ΄λ―€λ‘œ 20Β·log10이 μ‚¬μš©λœλ‹€.
  • dBFSλŠ” μ ˆλŒ€ λ‹¨μœ„μ΄λ©° μƒν•œμ΄ 0으둜 κ³ μ •λ˜μ–΄ 있기 λ•Œλ¬Έμ—,
    πŸ“„
    dBu
    ,
    πŸ“„
    dBV
    처럼 값이 증가해 +10 dBFS 같은 μƒνƒœκ°€ μ‘΄μž¬ν•  수 μ—†λ‹€.
    • β†’ 즉 dBFSλŠ” λ””μ§€ν„Έ μ‹œμŠ€ν…œμ˜ 물리적 ν•œκ³„ 지점을 κΈ°μ€€μœΌλ‘œ ν•œ 레벨 λ‹¨μœ„λ‹€.
  • λ””μ§€ν„Έ μ˜€λ””μ˜€μ—μ„œ μ‹ ν˜Έκ°€ FSλ₯Ό λ„˜μœΌλ©΄ ν•˜λ“œ 클리핑이 λ°œμƒν•˜λ―€λ‘œ, Headroom 관리가 dBFS의 κ°€μž₯ μ‹€μš©μ  μ˜λ―Έκ°€ λœλ‹€.

ꡬ쑰

κΈ°λ³Έ 곡식 (진폭 기반)

L(dBFS) = 20 Β· log10( A / A_FS )

RMS 기반 곡식

L_RMS(dBFS) = 20 Β· log10( A_RMS / A_FS )

Full Scale μ˜ˆμ‹œ κ°’

A_FS(normalized) = 1.0 A_FS(16-bit) = 32767 A_FS(24-bit) = 8388607

Peak, True peak κ΄€λ ¨

Peak(dBFS) = 20 Β· log10( A_peak / A_FS ) TruePeak(dBFS) = 20 Β· log10( A_truepeak / A_FS )

μ˜ˆμ‹œ

μŒμ•… λ―Ήμ‹±, λ§ˆμŠ€ν„°λ§

  • λ§ˆμŠ€ν„° λ²„μŠ€μ—μ„œ Peakκ°€ 0 dBFSλ₯Ό λ„˜μœΌλ©΄ λ””μ§€ν„Έ 클리핑 λ°œμƒ
  • 슀트리밍 ν”Œλž«νΌ κΈ°μ€€
    • Spotify: μ•½ -1.0 dBTPꢌμž₯
    • Apple Music: -1.0 dBTP μ΄ν•˜
    • Youtube: -1.0 ~ -2.0 dBTP ꢌμž₯
  • RMSλ‚˜ LUFS νƒ€κ²Ÿμ„ μ„€μ •ν•  λ•Œ dBFS 기반으둜 RMS, Peak 값을 μ‘°μ •ν•œλ‹€.

λ ˆμ½”λ”©

보컬 λ ˆμ½”λ”©: Peak -10 ~ -6 dBFS
μ•…κΈ° λ…ΉμŒ: -12 ~ -8 dBFS
μ΄λŠ” μΆ©λΆ„ν•œ Headroom을 ν™•λ³΄ν•˜κΈ° μœ„ν•¨μ΄λ‹€.

λ””μ§€ν„Έ μ‹œκ·Έλ„ 처리

  • Normalized FFT μž…λ ₯은 -∞ dBFS ~ 0 dBFS λ²”μœ„
  • λ¨Έμ‹ λŸ¬λ‹ μ˜€λ””μ˜€ μ „μ²˜λ¦¬μ—μ„œλ„ dBFS λ‹¨μœ„λ‘œ μ •κ·œν™”ν•΄ λͺ¨λΈ μž…λ ₯의 일관성을 μœ μ§€ν•œλ‹€.

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